A nocturnal reverie ( 1713)

  

In such a night, when every louder wind

Is to its distant cavern safe confined;

And only gentle Zephyr fans his wings,

And lonely Philomel, still waking, sings;

Or from some tree, famed for the owl’s delight,

She, hollowing clear, directs the wand’rer right:

In such a night, when passing clouds give place,

Or thinly veil the heav’ns’ mysterious face;

When in some river, overhung with green,

The waving moon and the trembling leaves are seen;

When freshened grass now bears itself upright,

And makes cool banks to pleasing rest invite,

Whence springs the woodbind, and the bramble-rose,

And where the sleepy cowslip sheltered grows;

Whilst now a paler hue the foxglove takes,

Yet checkers still with red the dusky brakes

When scatter’d glow-worms, but in twilight fine,

Shew trivial beauties, watch their hour to shine;

Whilst Salisb’ry stands the test of every light,

In perfect charms, and perfect virtue bright:

When odors, which declined repelling day,

Through temp’rate air uninterrupted stray;

When darkened groves their softest shadows wear,

And falling waters we distinctly hear;

When through the gloom more venerable shows

Some ancient fabric, awful in repose,

While sunburnt hills their swarthy looks conceal,

And swelling haycocks thicken up the vale:

When the loosed horse now, as his pasture leads,

Comes slowly grazing through th’ adjoining meads,

Whose stealing pace, and lengthened shade we fear,

Till torn-up forage in his teeth we hear:

When nibbling sheep at large pursue their food,

And unmolested kine rechew the cud;

When curlews cry beneath the village walls,

And to her straggling brood the partridge calls;

Their shortlived jubilee the creatures keep,

Which but endures, whilst tyrant man does sleep;

When a sedate content the spirit feels,

And no fierce light disturbs, whilst it reveals;

But silent musings urge the mind to seek

Something, too high for syllables to speak;

Till the free soul to a composedness charmed,

Finding the elements of rage disarmed,

O’er all below a solemn quiet grown,

Joys in th’ inferior world, and thinks it like her own:

In such a night let me abroad remain,

Till morning breaks, and all’s confused again;

Our cares, our toils, our clamors are renewed,

Or pleasures, seldom reached, again pursued. 

Anne Finch 1713. 

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https://en.wikipedia.org/wiki/Anne_Finch,_Countess_of_Winchilsea 

Woolf sympathises deeply with Finch's plight as a female poet, and though she takes issue with some of the content in Finch's writing, 'she expresses grief that Finch is so unknown: "…when one comes to seek out the facts about Lady Winchilsea, one finds, as usual, that almost nothing is known about her."  

Woolf wishes to know more about "this melancholy lady, who loved wandering in the fields and thinking about unusual things and scorned, so rashly, so unwisely, 'the dull manage of a servile house.'" 

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"her poetic output had been largely forgotten, until the great English poet William Wordsworth praised her nature poetry in an essay included in his 1815 volume Lyrical Ballads"